Hitchcock is always remembered as the master of suspense, the master of the thriller, but the truth is that he cast a much wider net than that. He was a master of more than just suspense. With Psycho, he invented the entire slasher genre and pioneered the "jump" scene. With North by Northwest, he had a whole other ambition in mind: Creating the first big all-action flick. People remember it as a thriller, but it's really just a great action film.
Everyone has seen the whole airplane chase, or at least a spoof of it, and while that's truly an incredible scene, it's only one incredible scene out of several. You rarely see referenced the shootout on the face of Mount Rushmore, nor do you see referenced one of the most inventive car chases ever, wherein Cary Grant has been fed an entire bottle of whiskey and is now being forced to flee the baddies in a car with no brakes.
In this day and age, you rarely see this much imagination in action films. There are always exceptions like in the film Shootemup, or some of the Hong Kong classics of recent decades, but regardless, this film has more imagination and intelligence than a dozen other action films put together. Seeing Cary Grant cruising down the street, drunk as a skunk and dodging bullets... It's hard to get so excited over one more car running over yet another fruit stand.
What this film has that most modern action films lack is context. When there's a shootout, it's not just any shootout, it's a shootout on the face of Mount Everest, so the action is complicated by the fear of falling. When Grant is chased into the crops, the biplane starts dusting them with pesticide, compromising his hiding place.
Hitch was the master of suspense, but he was also the master of putting his heroes in over their heads, and that's how the action in this film works so well. It's never enough for one problem to exist, but Cary Grant could never solve a problem without creating another one. This just plain made for better action.
It's too bad that most people who make action films these days have copied Hitchcock's tropes and turned it into a formula, rather than actually looking at how and why it worked and tried making their own stories from there, coming up with new and fresher ideas.
The film also boasts one of the most direct love scenes of all time, depicting a train going into a tunnel. When X rated films got big in the seventies, Hitchcock said "I don't know what the big deal is, I already did this with North by Northwest!"
If you haven't seen it yet, the film is one of the all time great all-action movies, and the one that really gave birth to the genre. Without this film, we wouldn't have Arnold Schwarzenegger jumping out of a plan to catch a parachute in Eraser, we wouldn't have the excess of Kill Bill. It's truly with this film that the concept of big, wild action set pieces really began. - 40729
Everyone has seen the whole airplane chase, or at least a spoof of it, and while that's truly an incredible scene, it's only one incredible scene out of several. You rarely see referenced the shootout on the face of Mount Rushmore, nor do you see referenced one of the most inventive car chases ever, wherein Cary Grant has been fed an entire bottle of whiskey and is now being forced to flee the baddies in a car with no brakes.
In this day and age, you rarely see this much imagination in action films. There are always exceptions like in the film Shootemup, or some of the Hong Kong classics of recent decades, but regardless, this film has more imagination and intelligence than a dozen other action films put together. Seeing Cary Grant cruising down the street, drunk as a skunk and dodging bullets... It's hard to get so excited over one more car running over yet another fruit stand.
What this film has that most modern action films lack is context. When there's a shootout, it's not just any shootout, it's a shootout on the face of Mount Everest, so the action is complicated by the fear of falling. When Grant is chased into the crops, the biplane starts dusting them with pesticide, compromising his hiding place.
Hitch was the master of suspense, but he was also the master of putting his heroes in over their heads, and that's how the action in this film works so well. It's never enough for one problem to exist, but Cary Grant could never solve a problem without creating another one. This just plain made for better action.
It's too bad that most people who make action films these days have copied Hitchcock's tropes and turned it into a formula, rather than actually looking at how and why it worked and tried making their own stories from there, coming up with new and fresher ideas.
The film also boasts one of the most direct love scenes of all time, depicting a train going into a tunnel. When X rated films got big in the seventies, Hitchcock said "I don't know what the big deal is, I already did this with North by Northwest!"
If you haven't seen it yet, the film is one of the all time great all-action movies, and the one that really gave birth to the genre. Without this film, we wouldn't have Arnold Schwarzenegger jumping out of a plan to catch a parachute in Eraser, we wouldn't have the excess of Kill Bill. It's truly with this film that the concept of big, wild action set pieces really began. - 40729
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